Notes on a round day.

  1. Two muted warm hazes, dusty amber and greyed rust, drift toward each other across a deep charcoal field, melting into a single unified glow under heavy film grain.

    Now Outlook, too

    Reassign now syncs two-way with Outlook Calendar. Connect Microsoft 365 or Outlook.com and your events land on a 24-hour dial, edits flowing back to Microsoft.

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  2. A muted mesh gradient drifts from grayed amber and dusty gold pooling left of centre into deep charcoal shadow at the edges, with heavy film grain pressing a quiet, structured calm across the frame.

    Your tasks, as blocks on the day

    Reassign now syncs two-way with Todoist. A task with a due time becomes a block on the 24-hour dial; an undated one waits in the backlog, done anywhere.

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  3. A dim, evening-toned mesh gradient drifts from deep charcoal and warm taupe into a soft muted amber bloom at the upper center, with a faint breath of grayed burnt orange dissolving toward the right, all under heavy analog film grain.

    The day, in your inbox

    Reassign now sends short, data-rich emails built from your real dial: a morning brief, an evening nudge when tomorrow is still empty, a prompt to close the day, and a Monday review of the week. Here's why a planner should write home, and how these emails earn the inbox.

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  4. A muted mesh gradient drifts from dusty amber and grayed gold pooling in the left toward deep charcoal on the right, the whole frame pressed under heavy analog film grain, evoking quiet suspension and unhurried potential.

    A place to park a block

    Some things you mean to do don't have a time yet. Reassign's Backlog is a tray of parked blocks (off the clock, still sized and sorted) that you drag onto the 24-hour dial the moment there's room.

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  5. A muted mesh gradient arcs warmly from amber-gold in the upper left through grayed clay tones to deep charcoal shadows in the lower right, evoking the rise and slow fade of a day's energy curve.

    Your energy, drawn round the day

    When are you most productive? Reassign draws a per-hour energy curve around its 24-hour dial: a circadian and sleep-pressure model bent by your real sleep, caffeine, and naps, so you plan deep work for your peak hours.

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  6. A continuous mesh gradient drifts from deep warm charcoal in the upper left toward a diffuse, muted amber warmth in the lower center, the tones melting imperceptibly into one another across a grain-textured field.

    The dial keeps count

    Reassign now tracks moments on the 24-hour dial: log a coffee, a glass of water, or your mood as points in time, and read each day's total in the legend.

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  7. A muted mesh gradient drifts from deep charcoal and taupe on the left through a softly blooming grayed amber at centre into desaturated rust at the right, the two tonal zones dissolving together in heavy film grain.

    The other half of planning

    Planning is a guess you make in the morning. Reflection grades it: step back to a past day on the dial and see the plan against the day you actually lived.

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  8. A muted mesh gradient drifts from hazy amber warmth in the upper left through clay and taupe into deep charcoal shadow, evoking the slow arc of a day's light from dawn to dusk.

    Your weather, drawn round the day

    Reassign wraps the weather forecast around its 24-hour day planner dial: a day/night disc, a temperature curve, and hourly conditions you can scrub. Free for all.

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  9. A muted mesh gradient where four soft pools of greyed amber and dusty gold glow at uneven strengths across a dark taupe field, two of them dimming almost to charcoal while two hold their warmth, the whole frame veiled in heavy film grain.

    Four Burners Theory vs. the Dial

    The Four Burners Theory says balance means cutting a burner off. But a day is not a stove. You don't amputate a wedge, you turn it down.

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  10. A single continuous mesh gradient drifts from grayed amber warmth pooled at the left-center through deep charcoal and taupe, with a faint rust bloom rising quietly from the lower-right, the whole surface unified by heavy analog film grain.

    One dial, every calendar

    Reassign now does two-way Google Calendar sync: your calendars land on a 24-hour dial in their own colour, and edits you make there flow back.

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  11. A muted mesh gradient drifting from dusty amber and sand in the upper left into deep charcoal shadow at the lower right, coated in heavy film grain.

    Planning your day with ChatGPT

    Plan your day with ChatGPT: connect it to Reassign over MCP so it reads and reshapes your real schedule. The setup, and the tools behind the chat.

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  12. A wide muted mesh gradient where desaturated amber-gold melts into deep rust and charcoal across a softly lit, heavily grained field, two warm tonal zones dissolving into one another through a dusky taupe middle ground.

    Areas and activities: colour vs. texture

    Two orthogonal axes for your day: colour for what part of life a block belongs to, texture for what kind of energy it asks. Why a planner needs both.

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  13. A warm mesh gradient pools muted amber and dusty gold across the upper-left of the frame, sweeping diagonally through brown and taupe into deep charcoal at the lower-right corner, the soft arc suggesting the curve of a dial, the whole image veiled in heavy film grain.

    Circular Planner for ADHD: Why a Round Day Beats a List

    ADHD brains struggle with linear lists and time blindness. A 24-hour circular planner makes time visible as shape, so you see your day instead of reading it.

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  14. A continuous mesh gradient shifts from a dense warm pool of muted amber and desaturated burnt orange on the left into deep charcoal and taupe shadow on the right, its arc suggesting one unbroken sweep through dark, grain-textured space.

    The maker's schedule is a shape

    Paul Graham named the maker's schedule. The 24-hour dial makes its fragmentation visible, so a protected block of focus reads as one unbroken wedge.

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  15. A muted mesh gradient pools desaturated amber light in the upper left and dissolves through dusty ochre and warm taupe into deep charcoal on the right, the whole surface veiled in heavy analogue film grain.

    Planning your day with Claude

    Reassign is also an MCP server, so Claude can read and edit your day. A walk through real prompts and the real tools behind them.

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  16. A muted mesh gradient pools greyed amber and dusty gold at the top of the frame, dissolving through taupe into deep charcoal at the lower corners, the warmth tracing a quiet arc that implies return, all veiled in heavy film grain.

    Why a day is round

    A list flattens time. A dial shows its shape. On the 24-hour clock as the oldest, most legible interface we have for a day.

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